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A wonderful section of the not so clear reviews for this film are due to the authors’ preference of the 16 year in coming Vampire Hunter D film, entitled “Bloodlust”. I understand that the aforementioned film is quite fine, with some of the most aesthetic visuals I’ve ever seen in anime. Therein lies the predicament, however, because viewing “Bloodlust” first usually leads to a bias; people then usually stare the first one and claim that “Bloodlust” has so powerful going for it besides fair a heavenly presentation (it’s almost formulaic how it happens) .
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Many people fail to peruse the potential of this 1985 classic (based on Hideyuki Kikuchi’s first in a series of japanese novels), and instead they complain that the animation is “dated”. What people fail to view is the very compelling (albeit familiar) epic and new characters. Most of all, the few underlying themes within the film. The film (status in the year 12,090) is about a victimized yet strong female character named Doris who lives in a rural plot and looks after her younger brother Dan without the support of any family (the only one that can care for both of them is the local doctor, Ferring) . Humanity lives in a time where after a nuclear holocaust, they coexist with mutants, monstrosities, and vampires (the latter of which is seen by themselves and others as “nobility”) . During a routine hunt, Doris’s horse is viciously (and graphically) killed by the werewolf of the local 10,000 year broken-down vampire count, Magnus Lee. Lee then bites Doris, and intends to consume her as his wife. Doris encounters the very stoic, very strong and sunless vampire hunter, named D. The movie follows D’s efforts to storm Lee’s castle, deal with his many ghastly henchmen, and end the count, in order to set aside Doris from becoming a vampire.
2001’s film, “Bloodlust” (based on Kikuchi’s third current in the series) is about the kidnapping of a young woman named Charlotte Melbourne by a young looking vampire named Meier Link. Charlotte’s father hires D to bring her benefit, or destroy her if she is to become a vampire herself. Not only does Charlotte’s father hire D, but also the cocksure team of bounty hunters called the Markus Brothers (and sister, Leila) . Meier Link becomes wise to the various hunters, and hires members of the Barbaroy, a clan of viscious monsters. Throughout the film the viewer learns that Charlotte may not have been kidnapped, and she and Meier Link may actually like each other (despite Meier’s realization of the inescapable lust he will have to have for Charlotte) .
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Though both films may seem to have similar stories (A cold composed and detached hunter needs to assign a girl, etc), it is the 1985 film that clearly shines. The contrivance the narrative is told in the unusual one is very straighforward, whereas “Bloodlust” is a very cheesy romantic record pudgy of place holes and an overabundance of characters. There are very shiny themes throughout the film, such as identity (D’s dealing with the imbalance of his vampire and his human side, Lamica and the harsh realization of her factual nature, and mutant Rei’s yearning for nobility), and the ignorance of honest nobility (the Lee family mistakenly goes against their renowned ancestor’s fair beliefs) . The themes of “Bloodlust” are a bit more cliche, such as the dealing with characters’ pasts which they can’t speed, and like vs. lust.
Another quality the 1985 film has going for it are the much characters. D is a man frustrated with his identity (a half human and half vampire who has to deal with his possesed left hand constantly and wryly reminding him of his moral nature) and struggling with the possible appreciate of the female protagonist. Doris is a damsel in wound (albeit a strong one) with the responsibility of caring for her brother and the humiliation of being shunned by her hometown for being bitten by the Count. Doris also has to understand that she cannot ever have feelings for D, because D cannot repress his vampiric lust. The Lee family looks at themselves as expedient yet they are gravely ignorant of their ancestors suitable beliefs. Count Lee is a come 10,000 year used vampire overridden by boredom, resulting in his turning to “having fun” with human women every hunderd or so years. Lee’s daughter heavily follows her father’s wrong view of humans being nothing more than livestock (leading to a pounding realization later in the film) . Lee’s henchman Rei Ginsei is a mutant with irregular talents, who wants to be popular into the house of Lee so that he isn’t looked at as scum. Supporting the main characters are Dr. Ferring the town’s humble doctor who tries his best to stand up for Doris; and Doris’s bold younger brother Dan who looks up to D as a role model and tries to shape himself into the same kind of person. The predicament with the characters in “Bloodlust” is that amongst the main characters of D (suffering from similar issues in the novel film), Leila Markus (timorous by the past of her lifeless mother during her childhood), and Charlotte & Meier (their yearning to fragment their misunderstood appreciate for each other), there are various supporting characters such as the Markus Brothers (hunters with no accurate past besides a reputation), the frightening Barbaroy (ditto), and the bloody Countess Carmilla (the sinister spirit of a vampire who aids the couple, with an agenda of her fill) . This “supporting cast” doesn’t really seem to have a point, other than to be killed in some plan by D or someone else. The tale of Carmilla in relation to D seems to be a spot hole that isn’t exactly explained.
Before comparing animation, I will first say that “Bloodlust” has some of the most lustrous and splendid visuals I’ve ever seen in any anime and it would be no comparison as to which one is of finer quality. However, the art style and tone of the 1985 film is noteworthy more representative of the type of legend being told. The modern film is very dismal, eerie, mysterious, a bit more of the macabre. “Bloodlust” however has many knowing scenes, and seems considerable less dim and powerful less serious (a puny tidbit that will soon be covered), this takes away very worthy from the sunless nature and design of the title character and the genre. The music shows this too: In “Bloodlust” it is very theatric, and over the top, whereas in the fresh it is subtle and foreboding.
Although this quality of the 2001 allotment is less outward than the rest of what I have mentioned, it is nonetheless worthy. There is a very evident Americanization of a sage of Japanese origin within “Bloodlust” and the genre its fable represents. As mentioned before the tone of “Bloodlust” is often times comedic and more action oriented than panic, which takes away heavily from the black nature of the Vampire Hunter D mythos. What is characteristic of American awe is that even in the darkest tales, there is usually someone or something there for humorous relief (go figure, evidentially “Bloodlust” was originally recorded in the English language) . D’s left hand is reduced from a murky entity sardonically reminding D of his proper self to a sort of wise cracking sidekick.
The whole point of this was not only to review a sizable film I am a substantial fan of, but to point out why I notion this film as wholly safe to a 2001 film that gets more praise. In regards to “Bloodlust”, I contemplate it’s a broad film with a lot of potential that simply went to end. Many people cloak gradual the fact that it’s so stunningly attractive, but “What’s a obedient looking plate with nothing on it? ”
Vampire Hunter D. . . this is a film in which I tend to mediate other anime films against. Akira, Ghost in the Shell, Ninja Scroll, and Vampire Hunter D are the Fab Four of the Anime Universe. You simply cannot go defective by buying this film. Lots of futuristic action with a major Goth theme to it. You would grunt that this was taking space in the sad ages during some parts of this film, but then you notice the technology that they have in the future. . . WOW. That’s all I can say. WOW. Do yourself a immense favor: Watch this movie! And with it coming out on DVD, how could it possibly accept any better? By the device, even if you don’t fully apreciate Japanese animation, this is level-headed one of the greatest vampire action movies of all time. If you want to glance an example of what big japanese anime is all about, then there are honest a few films that you truly must see: AKIRA, Princess Mononoke, Ghost in the Shell, and Vampire Hunter D. This is truly a classic film. Savor.
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Juan Fuentes